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1)
Pingyao Ancient City(平遥古城)
Among
the 'Three Treasures' of
Pingyao, the City Wall is
rated highest, the other
two being Zhengguo Temple,
and Double Forest Temple.
Although there has been
repeated renovations, the
city walls, streets, shops,
temples and other buildings
are still in a very good
condition.
With a total length of six
kilometers (about four miles),
the city wall is about 12
meters (about 40 ft) tall
and 3 to 6 meters (about
10-20 ft) wide on top. The
wall is of compacted earth
covered by bricks and stones.
From a bird's eye view the
rectangular wall resembles
a tortoise. There are six
city gates, one each on
the north and south walls,
and two each on the west
and east walls. The south
gate is the head of the
tortoise, the two wells
outside being the two eyes
of tortoise. The north gate,
the lowest place of the
city, is the tail of tortoise.
Traditionally the tortoise
was considered a symbol
of longevity, so through
ancient times the hopes
were that Pingyao Ancient
City would be permanently
secure. There are 72 watchtowers
on the top of city wall
and 3,000 external battlements.
It is said that the 72 watchtowers
represent 72 people of great
wisdom, the 3,000 battlements
the 3,000 disciples of Confucius.
Rishengchang Exchange Shop
was the original bank in
China. It was in Pingyao,
that the head office complex
was established in 1823
.Covering an area of 1,400
square meters (15,069 square
feet), it has twenty-one
buildings around three courtyards
on a north-south central
axis.The counters are arranged
on either side of the front
yard. The three rooms in
the middle courtyard house
the exchange center, where
primary operations were
carried out. Guest rooms
are to be found in the wings
beside the main hall. In
the rear court there are
five main halls. The guide
book(Lonely Planet 2007)
recommend you to see.
The city god temple and
the Confucian temple also
nice to see..#
There are 19 sites to see
inside the city wall. |
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Pingyao Ancient City is thought of as
the 'treasure house' of ancient Chinese
architectures. Pingyao Ancient City is
situated in the south of Taiyuan City,
Shanxi Province, the history of its original
construction dating back to the Western
Zhou Dynasty (11th Century BC -771BC )
The history of the city wall is more than
2700years and later being enlarged in
the Ming Dynasty (1368-1644) for defense
reasons.there are about 40,000 people
inside the city wall now. |
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2)
Qiao Family Courtyard(乔家大院)
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Qiao
family's business reached
the top in the family's
second-generation, when
their bank house opened
in Beijing, Tianjin, Northeast
China, and the Yangtze
valley. It is estimated
that the Qiao family's
property was worth an
equivalent of nearly 10
billion yuan in modern
time.
The Qiao Family Courtyard
was built in during the
reign of Emperor Qianlong
(1711-99) in the Qing
Dynasty, and occupied
8,724.8 square meters
of land, consisting of
6 large yards and 20 small
yards with 313 houses
in total. It was repaired
and rebuilt many times
during the reigns of emperors
Tongzhi and Guangxu in
the Qing Dynasty and the
beginning years of the
Republic of China (1911-1949).
It was an old Chinese
residential courtyard
that thrived for over
two centuries. When you
look down at the overall
yard above ground, it
looks just like"喜喜"(double
happiness in Chinese).
Entering into the gate
of the courtyard, first,
you will see an 80-meter-long
straight stone pavement
that divides 6 courtyards
into a northern and southern
row. There are slope protections
between the pavements
and nearby walls.
The
Qiao family's ancestral
temple is at the end of
the western side, which
directly faces the gate.
There are 4 main buildings
and 6 other structures,
such as a gate pavilion
and the Geng and Tiao
pavilions. The sidewalks
on the roof of every yard
are connected to allow
for patrol.
Viewed from outside, the
residency is serious and
grand, with long yards;
viewed from inside, it
is splendid and orderly,
reflecting the residential
style of big families
in feudal society in North
China.
The courtyard's three
sides face the street,
while the courtyard itself
is completely surrounded
by a 10-meter-high sealed
water-milled brick wall.
Yards and houses are linked
with other yards and houses
while the sidewalks above
row upon row of roofs
- such as the Xuanshan,
Xieshan, Yingshan, Juanpeng,
and Horizon roofs -- link
up the battlements.
Yards
contain smaller yards
as well as gardens. The
doors, windows, eaves,
stone stairs, quadrangular
railings, and the Chuanxin,
Pianxin, and Jiaodao yard
are all beautifully shaped.
You can see brick carvings
everywhere in the yards:
backbone carving, wall
carving, and railing carving,
all of which are based
on figures, allusions,
flowers and plants, birds,
beast, chess, and painting
and calligraphy. The carving
designs are so exquisite
and their workmanship,
so fine, fully showing
the special style of residential
building in the Qing Dynasty.
The
Qiao Family Grand Courtyard
has been admired as a
bright pearl of residential
buildings in North China.
In the first ten years
of the Republic of China,
Qiao Zhiyong's eldest
grandson Qiao Yingxia
rebuilt the grand courtyard.
Qiao Yingxia believed
in Catholicism, and admired
Western civilization.
Therefore the style of
the new courtyard added
many Western elements.
Some windows had glass
installed and were decorate
in a Western style. Paintings
under the eaves added
some new things like trains
and railroads. The living
room in the northwest
courtyard included a bathroom
and a Western-style washroom.
Besides, the Qiao Family
Grand Courtyard also collected
many pieces of furniture
made in the Ming and Qing
dynasties as well as some
rare treasures, like,
the "nine-dragon
lantern" and the
"ten-thousand-person
ball."
In addition, four tablets
still hanging in the yard
are quite noticeable;
they were separately bestowed
from Li Hongzhang (a Chinese
general who ended several
major rebellions, and
a leading statesman of
the late Qing Empire),
the Empress Dowager Cixi
(a powerful and charismatic
figure who was the de
facto ruler of the Qing
Dynasty, ruling over China
for most of the period
from 1861 to her death
in 1908), Fu Shan, and
villages in Ji County.
In
1990, this ancient mansion
gained its fame home and
abroad due to the movie
Raise the Red Lantern
by the director Zhang
Yimou.
After the movie finished,
the drama production team
left behind several hundred
red lanterns. Since then,
these lanterns have been
the most important decoration
both in the Qiao Family
Grand Courtyard and other
jin shang courtyards.
In 1986, the Qi County
government rebuilt the
courtyard into the Qi
County Folk Museum that
features art, science,
and other things of interest.
It contains 42 exhibition
rooms displaying a wide
range of material covering
subject areas such as
years, time, season, food,
clothing, shelter and
transportation, wedding
and funeral ceremonies,
and agriculture trade
activities. In total,
approximately 2,000 pieces
of exhibits reflect the
folktale custom in the
Shanxi Jinzhong area.
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The Qiao Family Courtyard lies in the
beautiful and richly endowed Jinzhong
basin of Shanxi. It is greatly admired
as a very special artistic treasure by
both common people and architects; it
is also one of the ten best tourist spots
in Shanxi Province.
The
first generation of Qiao's family, Qiao
Guifa, started business from a shoestring.
He braved Xikou and beyond to arrive at
Baotou of North China's Inner Mongolia,
where he finally became a tycoon and monopolized
Baotou's commerce.
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3)
Shuanglin Temple(双林寺)
Originally,
the Shuanglin Temple was
called the Zhongdu Temple
but it was renamed Shuanglin
during the Song Dynasty
(960-1127). In Chinese,
Shuang means two or double,
and Lin, forest. The temple
got its name from a Buddhist
story.
Reconstructed in 571, the
Shuanglin Temple has a history
of about 1,400 years. The
temple consists of ten large
and small halls, and the
sutra chanting hall and
the monks' rooms. The ten
halls include the Heavenly
Kings' Hall, the Arhats'
Hall, the Mahavira Hall
(Da Xiong Bao Dian), and
the One-Thousand Buddha
Hall, the Sakyamuni Hall,
the Bodhisattva Hall, the
Ti-tsang Bodhisattva Hall,
the Guan Yu's Hall and two
other halls. Guan Yu was
a famous general of Shu
during the Period of Three
Kingdoms. Later, he would
be worshipped as a god.
Standing in front of the
Heavenly Kings' Hall, tourists
will see the sculptures
of the four Heavenly Kings
below the eaves of the veranda,
which look mighty and magnificent.
Below the eaves of the hall
hangs a plaque with the
three characters 'Tian',
'Zhu' and 'Sheng' written
on it. In the Heavenly Kings'
Hall, the sculpture of Maitreya
is worshiped with two Bodhisattvas
attending on his left and
right. There are also four
Heavenly Kings and eight
Bodhisattvas. With a height
of three meters (ten feet)
each of the four holds a
Pipa (a Chinese musical
instrument), a sword, a
snake or an umbrella in
hand. All the sculptures
in the hall are vivid and
lifelike.
In the middle of the Arhats'
Hall is the sculpture of
Kwan-yin with eighteen arhats
standing to the left and
right. The facial expressions
of these arhats differ from
each other. With one drunken
arhat, another sick, yet
another as a dwarf while
others fat and thin, they
all exemplify the ancient
artisans' excellent skills.
The mute arhat is the most
famous. His face is exaggerated
with his eyebrows frowned
and lips sealed. It seems
that he has seen much unfairness
in the world but can not
express this to others.
In the One-thousand Buddha
Hall is enshrined Kwan-yin
sitting on the pedestal
with her right leg bent
and left one stepping on
a lotus leaf. The Veda in
the hall is reputed to be
the best in China and well
worth exploring. There are
also about 500 sculptures
of Bodhisattva in different
carriages.
The Sakyamuni Hall and the
Bodhisattva Hall are also
two must-sees of the Shuanglin
Temple. In the Sakyamuni
Hall is the sculpture of
Sakyamuni attended, on left
and right, by Manjusri and
Samantabhadra. The sculptures
on the walls depict some
stories related to Sakyamuni.
The sculpture of One-thousand
Hand Kwan-yin is the most
renowned in the Bodhisattva
Hall while on the walls
of the Hall are embedded
about 480 sculptures of
Bodhisattvas. |
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Located in the Qiaotou Village about six
kilometers (four miles) to Pingyao Ancient
City, the Shuanglin Temple is reputed
to be the 'ancient painted sculptures
museum'. The temple houses more than 2,000
colorful sculptures reflecting the exquisite
skills of the artisans of the Song, Yuan,
Ming and Qing Dynasties. The Shuanglin
Temple was included in the World Heritage
List by UNESCO as an important cultural
site of Ping Yao Ancient City in 1997. |
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4)
Jinci Temple(晋祠)
| Jinci
Temple has a long history,
which can be traced back
to the Western Zhou Dynasty
(11th century BC to 711
BC), when King Cheng made
his younger brother Yu a
leader of one of his states.
Yu was an intelligent leader
who devoted all his energies
to making the state prosperous,
so his descendants built
a temple for him after his
death, in order to honor
his achievement.
Saint Mother
Hall, the oldest building
in the temple, is one
of the main reasons that
so many visitors come
to the temple. Together
with the Flying Bridge
across the Fish Pond,
and the Offerings Hall,
these exquisite buildings
provide evidence of a
new era in Chinese architecture.
For example, the Flying
Bridge across the Fish
Pond is the only one of
its kind that exists now;
accordingly, it plays
an important role in an
investigation of the ancient
bridges of China.
There are
three additional wonders
that draw people from
across the world to the
temple. These are: The
Figures of The Maidservants,
the Zhou Cypress and the
Never Aging Spring. Each
of the Figures of the
Maidservants that stand
in the Saint Mother Hall,
colored clay sculptures
made during the Song Dynasty
(960-1279), are unique.
Whether these statuettes
are washing, sweeping
or dancing, they are all
sculpted in a vivid and
natural way.
Jinci Temple
was, to a certain extent,
an imperial garden. Accordingly,
some three hundred tablets
were inscribed for it
with writings by emperors,
officials and poets, and
these now line a scenic
path in the temple. The
most famous stele was
written by the Emperor
Taizong of the Tang Dynasty
in 646, and it was kept
in a pavilion which is
now known as 'Zhen Guan
Bao Han Pavilion'. Taizong
was one of the great emperors
of Chinese history. The
time from which he inherited
the throne from his father
became known as the Prosperity
of Zhenguan, and people
referred to the calligraphy
written by him as ' Bao
Han', meaing a kind of
treasure.
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Located 25 kilometers (16 miles) to the
southeast of downtown Taiyuan City,nerar
the Taiyuan International Airport, Jinci
Temple is a combination of historical
cultural relics and beautiful landscapes.
The welcoming boughs of a multitude of
ancient trees provide an eye-catching
entrance to the temple. Beyond this, the
numerous halls, cabinets, pavilions and
bridges are guaranteed to keep any visitor
enthralled. Jinci Temple is world-famous
because it is an ancient ancestral temple,
something which is rare in China. |
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